A Panorama of Songs 2a + Audio Online / high voice and piano

Kod Z20007
powrót do poprzedniego wyboru
Wydawnictwo: EDITIO MUSICA BUDAPEST
styl muzyczny: muzyka klasyczna i liturgiczna
aranżacja : melodia / fortepian
obsada: solo
tekst utworów: francuski
rosyjski
angielski
włoski
niemiecki
format: książka
seria: A Panorama of Songs
A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to… pokaż więcej
149,32 zł
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Spis utworów (25)

  1. (Bayly, Thomas Haynes) Folk song - Isle of beauty
  2. (Gray of Reading, William) Folk song - The hunt is up!
  3. (Byron, George Gordon Lord) Folk song - The kiss, dear maid
  4. (Shakespeare, William) Folk song - When that I was a little tiny boy
  5. (Peri, Jacopo – Rinuccini, Ottavio) Oh, my fleeting days
  6. (Beethoven, Ludwig van – Metastasio, Pietro) Departure
  7. (Gluck, Christoph Willibald – Klopstock, Friedrich Gottlieb) The young boy
  8. (Haydn, Franz Joseph – Weisse, Christian F.) The late arrival of the mother
  9. (Mercadante, Saverio) The rose
  10. (Schubert, Franz – Hölty, L. H. Chr., Voss, Johann Heinrich) Sigh
Pokaż spis utworów (25)

Opis produktu

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs.
The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century.
Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included.