Orchestral studies for double bass - Jiri Pichlik

Code: EDYS1992
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Publisher MIDI MUSIC STUDIO
Genre: classical & sacret
Arrangement: melody
Cast: solo
Difficulty: Advanced
Format: book
Series: Czech composer
Orchestral studies for double bass brings you a double bass parts for selected orchestral works by Bedřich Smetana and Antonín Dvořák. show more
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Product code: EDYS1992
Composer: Dvořák, Antonín
Smetana, Bedřich
Author / Editor: Pichlík, Jiří
No. of songs: 27
Pages: 23
Size: 21 x 30 cm
Weight: 86 g

Songlist (27)

  1. MÁ VLAST- Vyšehrad (Bedřich Smetana)
  2. MÁ VLAST- Vltava (Bedřich Smetana)
  3. MÁ VLAST- Šárka (Bedřich Smetana)
  4. MÁ VLAST- Z českých luhů a hájů (Bedřich Smetana)
  5. MÁ VLAST- Tábor (Bedřich Smetana)
  6. MÁ VLAST- Blanik (Bedřich Smetana)
  7. VI.SYMFONIE - I. Allegro non tanto (Antonín Dvořák)
  8. VI.SYMFONIE - II .Adagio (Antonín Dvořák)
  9. VI.SYMFONIE - III. Scherzo(Furiant) (Antonín Dvořák)
  10. VI.SYMFONIE - IV. Finale.Allegro con spirito (Antonín Dvořák)
View songlist (27)

Product description

Orchestral studies for double bass brings you a double bass parts for selected orchestral works by Bedřich Smetana and Antonín Dvořák.

Antonín Leopold Dvořák (1841-1904) was a Czech composer. He is one of the most important Czech composers and is the best known and most performed Czech composer in the world. Dvořák's symphonic and concert works are traditionally part of the repertoire of major orchestras around the world.

Bedřich Smetana (1824 - 1884) was a Czech composer of the Romantic period. He is one of the most famous Czech composers. From his early youth he was devoted to music, especially piano playing and composition. During his lifetime he worked as a concert pianist, music teacher, conductor and music critic. Smetana wrote mainly operatic and symphonic works. His piano works, concentrated in the early stages of his compositional activity, also occupy a considerable volume in his oeuvre. His chamber music is represented by rare, though substantial, works, and his choruses and songs occupy a rather marginal position. At the age of fifty he became completely deaf, but even after his hearing loss he was able to compose a number of masterpieces. Throughout his work he strove to create a distinctive Czech musical style.