A Panorama of Songs 1b + Audio Online / low voice + piano

Code: Z20011
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Publisher EDITIO MUSICA BUDAPEST
Genre: classical & sacret
Arrangement: melody / piano
Cast: solo
Lyrics language: English
Italian
Russian
Hungarian
Spanish
French
German
Format: book - paperback
Series: A Panorama of Songs
A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to… show more
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Songlist (25)

  1. Folk Song - The Minstrel's Request
  2. Folk song - There was a jolly miller
  3. Monsigny, Pierre-Alexandre – La Harpe, Jean-Francois de: Oh, my gentle musette
  4. Frescobaldi, Girolamo: A proud look from Licori
  5. Cavalli, Francesco – Minato, Nicolo: Sighs of Fire
  6. Stradella, Alessandro: Thus, Love, you make me languish
  7. Perti, Giacomo Antonio: I should not hope
  8. Haydn, Joseph – Lessing, Gotthold Ephraim: The Praise of Laziness (Hob.XXVIa: 22)
  9. Haydn, Joseph – Hunter, Anne: Sailor's Song (Hob. XXVIa:31)
  10. Zelter, Carl Friedrich – Tieck, Johann Ludwig: Autumn Song (Zwölf Lieder am Klavier zu singen, no. 1)
View songlist (25)

Product description

A Panorama of Songs fills a want that has been felt for decades. A selection of songs in six European languages from the 16th to the mid-20th century encompassing every musical period, it seeks to help beginner-level students of voice teachers and répétiteurs, and foremost the singers themselves. The series brings a breath of fresh air and new works to the conventional Lied repertoire, truly offering a new panorama. Using the means of modern technology it also provides immense help in learning and performing the songs.
The three volumes of the series are arranged by level of difficulty, and all of them are available for high and low voices ("a" volumes for high voices, "b" volumes for low voices). Each volume is a complete unit in itself, including all six languages (English, French, German, Italian, Russian, and Spanish) and presenting a cross-section of styles from the early Baroque to the 20th century. Interpretation of the songs is facilitated by literal English and Hungarian translations of their texts, and the reading of the Cyrillic script is assisted by transliteration (again in English and Hungarian). Ornamentation suggestions for the performance of the Baroque works are also included.